Annika Spear, who was a co-director with the 2011 production of the play at the University of California Santa Barbara, writes in the new issue of Frontiers how the play shakes theatrical conventions by actually dramatizing an abortion on the stage, and by tweaking the “documentary play” format. A goal now for 2014 is to finally get this play published, after dozens of staged readings and productions, often by student groups who groove on the many roles for young women and the resonance of this story of underground abortion today.
He was a pioneer in joining the fields of psychology and business, as mentioned on their website. Some of his colleagues from Amoco also commented about his contributions on his page from Chicago Jewish Funerals.
My father’s official name was Dr.Joseph M Kamen (with the M standing for “middle initial”). He changed the name in the 1950s from Joe Kamenetzsky. I’m not even sure if that was the spelling, but I know it was a long name with lots of consonants. He died January 30, 2014, very suddenly and unexpectedly of a heart attack. This March 26 would have been his 85th birthday.
Since then, I’ve been trying to get his achievements recognized. One of the most notable is that he was very likely the inventor of the post-baccalaureate degree while a professor at Indiana University NW in Gary, Indiana in the 1970s. But I’m having trouble documenting this because he pushed it through on the down low without approval of the mother ship in Bloomington, in fear that the official process would cause it to die, or delay it for years. So he never tooted his own horn publicly about it. The degree was mainly meant for women who had perfectly fine liberal arts college degrees, such as in psychology or sociology, but who needed to get a job quickly in a practical field to support their families. This degree in accounting fulfilled that purpose at a low cost to the student, and just 36 hours of required class. According to Dr. Sid Feldman, my dad’s dean at the time, who supported the program, these graduates had a very good record of getting certified as CPAs. The program was so successful that other Indiana University campuses introduced the degree,and then it spread to possibly hundreds of universities nationwide. That program is still going strong.
He also pulled an impressive prank on an Ivy League business journal in the 1980s or 1990s of a fake article, titled something like, “The Metaphysics of Pricing.” to satirize excessive lingo in business. It was replete with charts and statistics, and utterly bogus. I know the journal was furious afterward and blacklisted him from publishing with them ever again. This was mentioned in an essay about him in the journal Teaching Business Ethics in 1997, by the late R Rosenberg then of the Technion in Haifa, Israel. i But I’ve been unable to find the journal. The odds are that the journal redacted any reference to it in its electronic listings, but the original is out there somewhere in paper. If anyone has a lead for me, I much appreciate it.
Interview with Chicago playwright Rebecca Gilman on class, feminism and why we can’t get any complicated female superheroes.
Annie May Swift, 1920 Campus Drive- 1st floor auditorium
For more info, see Center for Writing Arts website
This event is FREE and OPEN TO THE PUBLIC. No reservations are needed; it’s on a first-come-first-seated basis. Q&A and book signing too follow. Co-sponsored by the Department of Performance Studies
Laurie Edwards, health blogger and author of the fantastically researched new book, In the Kingdom of the Sick: A Social History of Chronic Illness in America, has given some nice shout outs to my work in All in My Head — both in her book and on the PR trail.
She mentioned my book’s analysis of the women’s health movement of the 1960s and its blind spot for chronic pain while being grilled in a “Fresh Air” interview on NPR (while, dare I say, keeping her cool better than Woody Allen when Gross needled him about Soon Yi).
Also last week, in a story on Laurie’s book in USA Today, I was interviewed about my term, “the Tired Girls,” to describe women living a secret double-life of pain or fatigue.The writer, Kim Painter, cites from Laurie’s book:
The Tired Girl stands for so much that society disdains: weakness, exhaustion, dependence, unreliability, and the inability to get better.
Published September 7, 2012 in the Forward