Annika Spear, who was a co-director with the 2011 production of the play at the University of California Santa Barbara, writes in the new issue of Frontiers how the play shakes theatrical conventions by actually dramatizing an abortion on the stage, and by tweaking the “documentary play” format. A goal now for 2014 is to finally get this play published, after dozens of staged readings and productions, often by student groups who groove on the many roles for young women and the resonance of this story of underground abortion today.